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Gigs - Crew classifieds in baltimore

<![CDATA[If you own a video camera and know an African-American over the age of 75, who would be willing to give their thoughts on this historica election, please e-mail me. This is a paying gig and it will be a work-for-hire. People you interview must be willing to sign a release form. Please contact me if interested.]]>

<![CDATA[I have a new talk show which will be airing on Cable Public Access 75 in Baltimore. The show will have a live studio audience. We will be shooting six 30 minute shows within the month of November. Shooting should be complete within 1-2 weeks. Show is being set up as a pilot to market to a larger station. Looking for a great small crew that can shoot and do edits. Would prefer to work with a film student or a person who has an expertise in this area and loves to do this in their spare time. All inquires are appreciated. Budget is low but pay will be discussed. Looking for professional and serious minded people only, as objective is to make this show a hit!]]>

<![CDATA[we still need more people for the haunted house at merrieweather pavilion. open spots open are libary monster parlor monster cyrpt monster victims tortured people nurses dead person hollywood monsters and ring girl email me for more information. please include contact info in your email.]]>

<![CDATA[Creepywoods is looking for entusiastic people who loves the thrill of scaring people in a Haunted woods setting. Earn money and have fun. Only 9 more nights open, don't let the season pass you by!!!! Email us right away...You must be enthusiastic, energetic, loud and crazy preferred and able to take direction... See you in the woods!!!! ]]>

<![CDATA[MoWash Productions, an urban inspirational theater production company based in Baltimore, MD is seeking an experienced lighting designer for their upcoming stageplay tour. If you have experience in all areas of lighting design, please apply! We are looking for a designer immediately! You must have knowledge of light designing for a stageplay tour or touring in general. SERIOUS INQUIRES ONLY! Please submit your resumes to the following email address above!]]>

<![CDATA[This is Call for a Make-Up Artist for the independently produced feature length film “Worth.” This crew position needs to be filled immediately. THIS IS A NON-PAID OPPORTUNITY; however, credit will be given in the film and media for demo reels, letter of recommendations and internship credit is available after the completion of the film. Candidate must have prior experience with make-up for film and aging of characters will be needed. It is best if the candidate has their own supplies. Shooting will be taking place in and around Baltimore County and Washington County. The make-up artist will need to be present at he following shooting dates and times: October 18, 2008 / 6:00am-5:00pm October 19, 2008 / 6:00am-6:00pm October 24, 2008 / 7:00am-7:00pm October 25, 2008 / 7:00am-5:00pm October 26, 2008 / 7:00am-7:00pm November 1, 2008 / 6:00am-6:00pm November 2, 2008 / 6:00am-6:00pm November 7, 2008 / 11:00pm-11:00am November 8, 2008 / 11:00pm-11:00am November 14, 2008 / 11:00pm-11:00am November 15, 2008 / 11:00pm-11:00am If you are interested in this opportunity please contact Kevin Walla at wallakevin@yahoo.com ASAP with resume and any portfolio material available. ]]>

<![CDATA[ROULETTE is searching for a location in which to film several scenes that take place in a Dr.'s office/exam room. If you know of any doctor's who might be willing to help, please reply.]]>

<![CDATA[I am looking for a local, Baltimore videographer to film a few segments for a Los Angeles-based reality show. Pay is deferred, but your commitment will be only a few hours, over the course of a couple days next week. Meals and gas will be paid up front. Work will start as early as Saturday, and will definitely include a lot of exciting action! We've set up a number of restaurant visits, as well as radio interviews that need coverage. Please send any links to your work. Thanks!]]>

<![CDATA[ I'm looking for someone who wants to build there casting resume, by being a casting director. If you're interested, please email me us.]]>

<![CDATA[We have a gifted basket customer in Baltimore is looking to create a business video to post on Quabiz.com. If you interest, we will forward you the contact information. We prefer to forward the contact to company that post a video about their service on Quabiz.com. ]]>

<![CDATA[LOW BUDGET PROJECT WE NEED CREW..NO PAY POSITION...MEALS PROVIDED ON SHOOT DAYS AND TRANSPORTATION. COPY OF FINISHED PRODUCT. SERIOUS REPLIES!!]]>

<![CDATA[I am seeking to fill some crew positions for an upcoming music video. The positions needed are : Producer/Line Producer Gaffer For the producer please submit resume and rates. I would also like to know the range of budgets that you have worked with and if you have connections locally to crew/rental houses/insurance etc.. For the Gaffer please submit resume/reel/rates as well as the range of budgets that you have worked on. I'm looking to fill these position ASAP ]]>

<![CDATA[I am looking for TWO shooters on October 1st next week in the afternoon. Each person will get $125.00 for the shoot. I can provide equipment for one person but if you have an HD camera such as a Canon A1 or HVX200 that would be great. I will need to meet with you prior to the shoot (hopefully some time within the next two or three days) and YOU NEED TO BE A BALTIMORE LOCAL. County or City, it doesn't matter. Experience with reality shows/documentaries is a plus. I am going for a style similiar to MTV/A&E reality shows and Cops. Experience with the Panasonic HVX200 is also a plus.]]>

<![CDATA[Need a hair/make up artist for an all day HD music video shoot on Sunday 9/21. Pay is small but that's only because we have no budget for the video. Potential is there to work higher paying gigs in the future. Please send resume and links to work.]]>

<![CDATA[I'm looking to hire an experienced videographer or team to cover a wedding on October 5th in Baltimore. I’m a video editor by trade and I’m taking over responsibility for the video portion of a friend’s wedding as a favor, so I’m only looking for professional 2-camera coverage of the ceremony and reception with no editing needed. Ideal for an energetic single or pair of videographers who want to make some easy money with no long-term hassle of editing. The ceremony will be a 4PM Sunday exterior around the Baltimore Marina followed by an interior reception at a restaurant in the same location (yay, no driving between locations!). The interior location has lots of window exposure, but I’d expect on-camera lighting might be helpful later in the evening. I’d be looking for documentary style coverage of the pre-ceremony and reception (toasts, dances, food, etc), at least 2 camera coverage of the ceremony for multicam edit. Will definitely need lots of good B-roll footage and possibly a few interviews for the DVD. You would be expected to hand over MiniDV tapes to me personally or be able to transfer to a firewire drive on-site at the conclusion of the event if you're using card based media. I don’t have the exact information about the total expected hours, but I’d imagine somewhere from 4-6 hours is probably what will be needed on site. If you’re interested, please respond with your rates, general experience, personal style and equipment used (especially what cameras you'd be running). Reliable wireless Lav(s) are a must. I have some solid production experience and I speak fluent DV, HDV, DVC-Pro, etc., so please feel free to be technical and specific in your responses. Thanks for taking the time to read and I’m looking forward to hearing from you! ]]>

<![CDATA[FX wanted for my feature Direct To Video. I am going in an old school Sam Raimi direction. It is a feature and will be shot in a few days. Please contact me ASAP.]]>

<![CDATA[Xterminating Angel Films seeks 2 Production Assistants for their upcoming film production, 'The Waterboard'. The shoot will take place on the weekend of Saturday, October 4th and Sunday, the 5th in downtown Baltimore, 7am to 7pm on both days. There is no pay, but this is an excellent opportunity for film students and those seeking to break into the independent filmmaking scene. Food will be provided during the shoot. Transportation not necessary but you must be able to drive the production vehicles if needed. Great opportunity to beef up a budding film resume. Interested parties please email at: waterboardfilm@xterminatingangel.com or call: Armando Valle, producer, 443-762-3854 Angie Ennis, producer, 443-253-4742]]>

<![CDATA[Local film production company Ruckus Productions is seeking someone to serve as a Animal / Insect Handler. Responsibilities may include but are not limited to: -Handling Animals / Insects on a film set -Caring for Animals / Insects before / after a shoot]]>

<![CDATA[Local film production company Ruckus Productions is seeking someone to help in a PRODUCTION DESIGNER (ART DIRECTOR) position. Responsibilities may include but are not limited to: The overall look of the film, in collaboration with the director. Creates the environment of the film. Works with the props, set builders, Location Manager, costume, makeup and hair stylists to make that happen. PROPERTY MASTER In charge of all props needed during each scene of production. SET DRESSER Responsible for renting or purchasing all materials needed to dress a set or location to give it the required look. We are offering copy and credit at this time and will offer points on the back end for vested crew for future projects. charlie@ruckusproductions.com www.ruckusproductions.com www.myspace.com/ruckus_productions ]]>

<![CDATA[Local film production company Ruckus Productions is seeking someone take production stills on set and staged photos for promotion and artwork. We are offering copy and credit at this time and will offer points on the back end for vested crew for future projects. charlie@ruckusproductions.com www.ruckusproductions.com www.myspace.com/ruckus_productions]]>

<![CDATA[Local film production company Ruckus Productions is seeking someone to help in a Grip / Gaffer position. Responsibilities may include but not limited to: GRIP PERSONNEL They work under the instructions of the Director of Photography, and under the supervision of the Key Grip. Responsible for the rigging, mounting and construction of all camera and lighting support equipment, including stands, boxes and flags. The Dolly Grip is in charge of the tracks, dolly and supporting equipment. GAFFER AND ELECTRICIANS In charge of all electrical equipment, the lights and the generator, as per the gaffer instructions of the Director of Photography. Once the scene is blocked, the Director of Photography instructs the Grip and Gaffer on how to set up their equipment to achieve the appropriate mood. We are offering copy and credit at this time and will offer points on the back end for vested crew for future projects. charlie@ruckusproductions.com www.ruckusproductions.com www.myspace.com/ruckus_productions]]>

<![CDATA[We are looking for submissions of Short Films from Independent Filmmakers for the Inaugural “Lauraville Independent Film Festival”. We are currently accepting submissions from filmmakers based in and around Baltimore. All submissions must be submitted on DVD (region 1 or 0) and must be less than 20 minutes total running time (including credits). There is NO ENTRY FEE. That’s right, you can submit your short films for consideration for free. Since this is our first year we are waiving the entry for all interested filmmakers. Submissions will be chosen for inclusion in the festival by a panel of unbiased judges. There will also be a separate group of special guest judges that will rate and review the films. Awards will be given for Best in Show and Runner Up. The films will be screened on a rotating basis at the Rock Candy Theater in Lauraville, Northern Baltimore. This way there will be plenty of opportunities for you, your friends and fans to see your work on the screen. We also plan on setting up a website with a means for people that enjoy the films to donate specifically to the filmmakers of those films to help fund your future endeavors, or cover the funding for your submission. This is a huge opportunity for new and established filmmakers to exhibit their work to a wide base of people, and to the winners and runners up, a great accolade to brag about. We do expect good, quality films. We understand that not everyone has expensive professional equipment, and that is not what we expect. What we do want to see is creative, entertaining, original productions. The more compelling your story, and the more free of technical problems your film, the better your chance of being selected for the festival. Please keep in mind that we can not accept any submissions that have copyrighted material (music, characters, etc…) that you do not own. If you are not sure if you are allowed to use previously existing music or characters then you probably can not. No “fan films” kids. Also, we will not be showing anything that would be considered “R” rated. Please send all DVD submissions to: Rock Candy 4321 Harford Rd. 2nd Floor Baltimore MD 21214 Any questions or inquiries may be directed to: LauravilleFilmFest@gmail.com ]]>

<![CDATA[I need a PA to help run errands and burn CDs for live conference recording Thursday, October 9th - Saturday, October 11th. Pay is $75/day including lunch.]]>

<![CDATA[I am looking for a crew for my independent film KARMA due to begin production this fall. It would be helpful if crew had own equiptment. If interested please call Ron at 443-324-5118. Thanks Ron]]>

<![CDATA[Professional photographer on Baltimore needs assistant help for pre and post production. This is a great opportunity for someone to working in the photo/film business on a wide range of cool shoots and productions. You'll help with general workflow, editing, production, scouting, and posting material. We work with the top agencies in the world so you will be working on top projects. Mac, editing, PS skills very helpful. Grip, lighting, HD video, film, stills experience preferred. I need someone who is hardworking, relaxed, resourceful and a hustler available on days and some weekends. This could also be a part time situation. hourly wage]]>

<![CDATA[Epic Media Studios is seeking 2 PA's for the short "Eye for an Eye". It's an action film to be shot at various Baltimore locations and one Bel Air, MD location. Some experience is helpful but not required. No pay, but you'll get a copy on DVD, full credit, meals and an invite to the premier. Plus, you'll gain some valuable experience for future projects. I'll even supply a letter of recommendation for you. Shooting is slated for mid Oct. and will be scheduled for weekends. We're shooting digital on the Panasonic DVX100B in 24p and widescreen. Positions needed: Boom operator/audio mixer general PA/continuity/slate Please send contact info and if available, resume to the above addy. ]]>

<![CDATA[ “Once in a lifetime” opportunity to work with seasoned producers (credits include the AIDS episode of “Airwolf” and “Shark Bite!” the first-ever nature documentary). Must have a beautiful mind and a capable body (lots of possible traveling and schlepping gear, and must be on-call 24/7). Bonus points for computer skills and emotional intelligence. Contact Aidan at WonderGlen Entertainment – aidan@wonderglen.com ]]>

<![CDATA[TWO 1980’s VEHICLES NEEDED FOR SHOOT - WED. SEPT. 17th. A National Geographic Film crew seeking the use of two late 1980’s model cars for overnight shoot. Filming will begin at approx 7:00 pm on Sept. 17th and continue until about 6am the 18th. Requirements being that the car has a late 1980’s or early 1990’s appearance and is completely functional. Anyone loaning their vehicle is welcomed to stay on set and watch the filming. Alternatively, transportation of the vehicle will be arranged as needed. There will be second daylight shoot requiring a 1980’s style vehicle on Friday, Sept. 19th. Anyone willing to participate in either shoot please reply with details and photo of car if possible. Thanks. ]]>

<![CDATA[I am in need of a camera crew for my production KARMA due to begin this fall. We will be shooting approx. 8 days throughout October and November. The film is a relationship based drama. If interested please contact Ron at 443-324-5118. Thanks]]>

<![CDATA[My production company owns a Sony EX-1 XDCAM camera package, and I'm looking for other owner/operators of the Sony EX-1 or EX-3 Cameras for ulti-camera shoots. Pay is negotiated on a job by job basis, but rates will start at $400/day for camera plus operator and go up from there depending on abilities. Only reply if you personally own a Sony EX-1 or EX-3 package! Thanks, be well, Rich ]]>

<![CDATA[ I need a DVX100 user on the days of the 13th and 14th. We're shooting a reality sitcom. If you open on these 2 days, and own a Panasonic DVX100 please email me.]]>

<![CDATA[We are shooting a sitcom/reality show pilot on September 13th and 14th in Owings Mills, Maryland. The concept of the show is a satire on reality television. As well as shooting the pilot the camera men will be shot in the pilot as well. It is a comedy. It is a great opportunity for someone that has video experience and want to be in front of the camera as well as behind. Great for credit and resume! We have a very small budget. We are offering $200.00 for both days of shooting. We had great actors working on this project . ]]>

<![CDATA[Hey there! I need a reliable videographer with a DVX-100, XL-2, HVX-200 or similar prosumer camcorder, tripod and a wireless lapel system to film a wedding on September 13th (next weekend). You don't have to perform an in-depth editing job but I would like the footage placed onto DVD. The wedding starts at 11am in Jarrettsville, MD with the reception following at 12 noon. Total this should only take 4-5 hours. I'm thinking you'd get there a little early to get a few shots of the bride getting ready and leave around 3, or as the reception winds down. Shoot me an email if you're interested and tell me a little about yourself - experience (if any) and equipment. Pay is $500 Thanks for looking and hope to talk soon!]]>

<![CDATA[A small camera crew is needed to begin shooting the indie film KARMA in the fall of 2008. You will recieve a credit for your work and a copy of the finished product. If interested please contact Ron at 443-559-1226. Only serious individuals please. Thanks ]]>

<![CDATA[Independent film needs one or possibly two production assistants, actually for some pre-production work right now. Basically work from home on computer and phone doing some pre-production research. Possibly visit some businesses for location scouting, finding props, etc. Payment is deferred. Visit our website at www.freewebs.com/kayakjack for periodic updates. Send resume, availability, any questions.]]>

<![CDATA[ Are you a college student or indie filmmaker looking to build a resume or make connections to a festival dedicated to screening underground, zero budget films? If so, this is a great opportunity for you. www.zerofilmfest.com www.myspace.com/zerofilmfest In your response, please briefly state your participation in the local film scene.]]>

<![CDATA[Ruckus Productions www.ruckusproductions.com www.myspace.com/ruckus_productions is looking to add to our crew to allow for more specialized positions. We have a wide range of projects we are working on in the horror / macabre / drama / and comedy genres. No experience is necessary just a desire to learn, have fun, and be committed to a project. In the next year we are going to be shooting a full length with large name actors and developing a TV series. Some specific positions we would like to fill are: PRODUCTION MANAGER (PM) Organizes, budgets, schedules and prepares the entire film production for the film crew. Main responsibility is to blueprint the entire shoot by breaking down the shooting schedule, while coordinating the budget so that the goals of the Producer and Director fit within their means. Duty is to finish the production ‘on time’ and ‘on budget.’ PRODUCTION COORDINATOR/PRODUCTION SECRETARY Assists the Production Manager in the organizational tasks of the production office. Facilitates the flow of production documents to the appropriate production teams. Main liaison for the entire film crew. FIRST AND SECOND ASSISTANT DIRECTORS (1st AD, 2nd AD) In pre-production, the 1st AD assists the PM in organizing film crew, breaking down the script, and preparing the production board and shooting schedules. In production, the 1st AD assists the Director with on-set production details and coordinates and supervises activities of cast and crew. 1st ADs also run the Production MEETINGS. The 2nd AD serves as helper to the 1st AD. They are in charge of preparing daily call sheets, handling extras requisitions and other required documents. They also prepare the daily production report at the end of each shooting day, distributing scripts and changes to cast and crew, distributing extras’ vouchers, communicating advance scheduling to cast and crew, aiding in scouting and managing locations, and facilitating transportation of equipment and personnel. They always coordinate with the production staff so that everyone, including cast and crew, are ready at the beginning of the day. SCRIPT SUPERVISOR A Script Supervisor (or continuity person) is the Editor's representative on set. Films are shot out of sequence, and one of the Script Supervisor's primary functions is to ensure that visual (and audio) continuity is maintained. This means advising the Director and key crew on everything from the props to wardrobe to dialogue to eyelines, and any of the other factors that will affect an edit. In pre-production they coordinate with all concerned departments in advance to plan for any potential continuity issues, and they work after wrap to create a detailed as-read lined script with notes for the editor. Their primary function in the larger sense is to save the production money and time through communication, organization and troubleshooting. DIRECTOR OF PHOTOGRAPHY Creates the visual mood of the film. They are in charge of the camera department and give instructions to the grip and gaffer. In pre-production will break down the script with the Director and design individual scenes, including set-ups, lighting and camera requirements at the set or on location. FOCUS PULLER (also known as 1st Assistant Camera) Responsible for keeping the camera’s focus during a shoot. Measures the distance between the camera and the main object and dissects the proper stops that require focus. Perhaps one of the most important positions on set because this extremely difficult job needs to be done precisely or else the film will be out of focus. ASSISTANT CAMERA OPERATOR Responsible for handling all camera equipment and the camera van, properly storing film, loading film into magazines and the camera, making sure the camera is in perfect working condition, filling out the slate with the correct information and transporting exposed film safely to the lab. GRIP PERSONNEL They work under the instructions of the Director of Photography, and under the supervision of the Key Grip. Responsible for the rigging, mounting and construction of all camera and lighting support equipment, including stands, boxes and flags. The Dolly Grip is in charge of the tracks, dolly and supporting equipment. GAFFER AND ELECTRICIANS In charge of all electrical equipment, the lights and the generator, as per the gaffer instructions of the Director of Photography. Once the scene is blocked, the Director of Photography instructs the Grip and Gaffer on how to set up their equipment to achieve the appropriate mood. SOUND CREW Two on-set positions, the Sound Mixer/Recordist and the Boom Operator, are responsible for grabbing the on-set location sound for editing, including the surrounding area sounds and the actors' dialogue. Of a on-set film crew of many, only 2 positions center on the art of sound. PRODUCTION DESIGNER (ART DIRECTOR) Responsible for the overall look of the film, in collaboration with the director. Creates the environment of the film. Works with the props, set builders, Location Manager, costume, makeup and hair stylists to make that happen. PROPERTY MASTER In charge of all props needed during each scene of production. SET DRESSER Responsible for renting or purchasing all materials needed to dress a set or location to give it the required look. WARDROBE Besides designing and sewing the wardrobe for cast members, the Wardrobe Person is in charge of all wardrobe rentals and purchases. Collaborates with the Production Designer on the overall costume design for each cast member. PRODUCTION ACCOUNTANT All funds needed for rentals or purchases, once approved by the Production Manager, are processed by the Production Accountant, who is authorized to release funds or issue checks. Examines all expenses and evaluates their appropriateness. Is in charge of issuing the crew’s, and perhaps the actors', paychecks. Each department is responsible for wrapping and properly returning rented equipment, props and wardrobe after production. The accountant pays outstanding balances, which are invoiced after completion of principal photography. Please contact us for more information charlie@ruckusproductions.com www.ruckusproductions.com]]>